A Communal Environmental Meditation & Microplastics Art Performance
lead by artist Andrew Whittle. In collaboration with Beach Guardian CIC, Clean Ocean Sailing and Lime House Yoga.
Reverence for the Waterways is a unique six-hour performance and communal environmental meditation exploring the hidden world of microplastic pollution. Led by artist Andrew Whittle in collaboration with Beach Guardian and Lime House Yoga, this event invites volunteer participants to take part in the slow, careful act of separating microplastics from organic matter collected from the banks of the River Fal.
Immerse yourself in an extended environmental meditation practice while engaging with the seemingly impossible labour of retrieving microplastics from the environment. Through careful filtration and sorting, the act of environmental remediation becomes both a contemplative ritual and a collective performance. The event will also be documented through film and photography as part of the artistic process, capturing this collective act of attention and environmental care.
Through his work with Beach Guardian, Andrew Whittle has spent over seven years confronting the pervasive issue of plastic pollution along coastlines and waterways. During this time, he has come to recognise that the core problem lies not only in the production of plastic but in the difficulty of extracting it once it has fragmented and entered ecological systems.
Reverence for the Waterways marks the first time that microplastics collected from the river environment will be separated from organic material en masse within a healing, meditative setting. The performance transforms the slow, meticulous act of filtration into a space of reflection, care, and communal responsibility.
As we move further into the Anthropocene – the geological age shaped by human activity – plastic pollution represents one of the most pervasive and enduring traces of our presence. Microplastics are now found in oceans, rivers, soil, air, and increasingly within our own bodies.
This performance explores the interconnectedness of the outer environment and the inner body. The act of filtering plastics from river sediment mirrors the biological processes through which our own bodies attempt to process and filter these same materials.
In this shared space of attention, the work asks participants to reflect on:
• the immense time required to undo environmental damage • the invisible labour of ecological care • the relationship between pollution and personal wellbeing • and the question that inevitably arises: who is responsible?
By measuring and quantifying the time required to retrieve microplastics by hand, Reverence for the Waterways makes visible the scale of a global problem while offering a moment of communal reflection, cleansing, and care.
The performance becomes both an act of mourning for the remnants of the Anthropocene and a gesture toward healing – acknowledging that the work of restoration must take place both within the environment and within ourselves.
Beach Guardian is a Community Interest Company based in North Cornwall.
Over the years the organisation has carried out regular beach cleans to collect and remove rubbish – predominantly plastics – that wash ashore with the tide. Today Beach Guardian coordinates community beach cleans and delivers educational workshops with schools and local groups, helping people reconnect with their environment while improving the health and wellbeing of both people and planet.
Their core mission is: “Educating and empowering against plastic pollution.”
Read the article on their battle to clean up Cornwall’s beaches here.
Clean Ocean Sailing, based in Gweek, was founded with the aim of cleaning our coasts and oceans sustainably under sail, and raising awareness about ocean plastics. They restored their 113-year old sailing boat to carry out this mission.
With the help of The Annette and another smaller crafts they sail and paddle to remote, inaccessible places to clean up our coast by collecting plastic from the shores and sorting, recording, reusing and recycling it. They also set up the clean on the Fal where we retrieved the plastics we will be using for the performance.
Microplastics – defined as plastic particles 5mm or smaller – have become deeply embedded within natural systems.
Primary Microplastics Particles intentionally manufactured at microscopic sizes for commercial products, including microbeads in cosmetics, microfibres shed from synthetic clothing, industrial plastic pellets known as nurdles, and plastic glitter.
Secondary Microplastics Fragments created when larger plastic objects degrade through sunlight, wave action, and environmental wear. These originate from everyday items such as bottles, bags, fishing gear, tyres, and paint.
To open the event, Andrew will lead an introduction and demonstration on how to identify primary and secondary plastics before we begin the task.
Weather permitting, this introduction will take place outside on the Lime House lawn, allowing us to gather in the gardens while Andrew explains the process and the thinking behind the performance. In May the garden is usually at its most vibrant, with wildflowers in bloom and the space alive with early summer energy.
Following the introduction, we will move into the studio where Jock will guide a short period of collective breathing and focus to settle the group before the work begins.
At approximately 12:00pm, the six-hour filtration and sorting process will begin. Participants will work quietly and steadily, engaging in the slow, meditative act of separating microplastics from the collected river material.
Although the process is continuous, participants are welcome to take short comfort breaks if needed during the session. The intention of the day is not endurance, but sustained attention and care.
To preserve the contemplative nature of the performance, the introductory talk and demonstration will take place outside the studio space, allowing the studio itself to remain a quiet environment dedicated to the meditative work once the filtration begins.
The performance will also be documented through film and photography as part of the artwork, capturing the collective act of environmental care and reflection that unfolds during the day. By participating in the event, attendees acknowledge that filming of them may take place.
A communal meditation and environmental performance The Invitation Reverence for the Waterways is a six-hour performance and communal meditation centred on the task of separating microplastics from organic matter collected from the banks of the River Fal. The work invites participants into an extended meditative practice while engaging with the seemingly impossible labour of retrieving microplastics from the environment. Through careful filtration and sorting, the act of environmental remediation becomes both a contemplative ritual and a collective performance. Donation based - come and volunteer your time and join this collective moment of care for our waterways. Arrive at 11:30am for approx. 20 minute introduction with Andrew followed by 6 hours of contemplative sorting.
Due to the volunteer nature of this event, if your plans change after registering, please cancel your place with as much notice as possible so that another participant has the opportunity to attend. Thank you.
We are situated on the north Cornish coast between Perranporth and Cubert. 10 minutes from Newquay (20 mins to Newquay airport) , 15 minutes from Truro train station and 5 minutes drive or 30 minutes walk to the beach (What Three Words: ///dimension.brighter.enchanted )
Lime House Yoga StudioMount, RoseTruroCornwallTR4 9PP
Tel: 07774 311227
Email: info@limehouseyoga.com
Contact us
The nearest bus route is 1.2 miles away at the entrance to Haven holiday park.
Andrew Whittle is a multimedia artist based on the north coast of Cornwall whose practice explores the convergence of ecology, science, and ritual.
Influenced by animist belief systems, his work seeks sympathetic ways of interacting with the natural world while addressing the environmental crises of the present. Combining scientific awareness of pollution with symbolic and ritualistic processes, his practice treats art-making as a form of ecological reflection — where ritual and myth become tools for processing climate anxiety, environmental catastrophe, and humanity’s fractured relationship with nature.
Working primarily with natural and recovered materials, Whittle develops process-led works that often unfold through performative or ritualised acts. Drawing on myth, witchcraft, and alchemical traditions alongside environmental science, his projects investigate both outer ecological systems and the inner psychological landscape shaped by the Anthropocene.
Through these practices he aims to restore a sense of connection and reverence for the natural world.
In 2020 Andrew won The Big Flower Fight on Netflix for creating large-scale living sculptures, which led to a commission at Royal Botanic Gardens, Kew using marine waste collected through his work with Beach Guardian.
He has since led environmental art projects connected to global events including COP26 and the 47th G7 summit. His large-scale sculpture Cetus, a whale woven from ghost fishing gear collected on the Cornish coast, has been exhibited annually at Glastonbury Festival and won the Trelawny Cup at the Royal Cornwall Show in 2023.
Alongside his artistic practice, Whittle develops environmental outreach with Beach Guardian, including the renovation of the organisation’s mission centre and marine plastics museum in Trevone.
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